Mukti

Dadagiri redux

Posted in action, adventure, Bollywood, books, classics, desi fiction, Drama, movies, thriller, TV by jrahman on May 21, 2018

When Shashi Kapoor passed away late last year, my facebook was abuzz (or should I say alight?) with clips of mere paas maa hai.  I wanted to post my favourite Kapoor as my childhood favourite hero.  I was sad to find no clip of Kissa Kathmandu ki — Satyajit Ray’s small screen adaptation of his Feluda caper in Nepal.  Granted it wasn’t Ray’s finest, but all sorts of weird and improbable stuff can be found online, why not this, I wondered.

My mind then wandered to why Ray cast Kapoor and not Amitabh Bachchan, the only tall man in India, for the role of the towering Bengali detective?  Perhaps it was because Bachchan was by then too busy with politics.  But that leads one to wonder why Ray hadn’t made a Hindi Feluda earlier?

For that matter, why did Ray not make more Hindi movies?  It’s not like he was oblivious to Bollywood trends.  He even set one of the Feluda adventures in mid-1970s Bombay, when Bachchan was smashing box office records and the bones of villains.  In the novel, Lalmohan Ganguly is advised by Feluda about the masala that would make a blockbuster:

…. instead of one double role have a pair of double roles.  The first hero is paired against the first villain, and the hero number two and the villain number two make the second pair.  That this second pair exists isn’t revealed at the beginning…..

… need smuggling — gold, iamond, cannabis, opium, whatever; need five musical sequence, one of which should be religious; need two dance numbers; two or three chase sequences are needed, and it would be great if in at least one of which an expensive car is driven off a cliff; need a scene of inferno; need heroines against the heroes and vamps against the villains; need a police officer with integrity; need flashback of the heroes’ backstories; …. need quick changes of scenes…. ; at least couple of times the story need to be on the hills or the seaside…..

…. at the end — and this is a must — need happy ending.  But the ending would work best if it can be preceded by several tearjerkers.

Of course, this is tongue-in-cheek.  Ray wasn’t into making blockbusters.  And he explained in a number of places that he was most comfortable in his mother tongue.  But Ray was so in tune with the zeitgeist that even Enter the Dragon is channeled in that story, and I can’t help but wish he would have made the movie that would have been rishte mein toh baap to Sholay, Don, Qurbani, Tridev or Mohra.

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Dadagiri

Posted in adventure, books, movies, thriller, Uncategorized by jrahman on December 20, 2017

When Shashi Kapoor passed away a few days ago, my facebook was abuzz (or should I say alight?) with clips of mere paas maa hai.  I wanted to post my favourite Kapoor as my childhood favourite hero.  I was sad to find no clip of Kissa Kathmandu ki — Satyajit Ray’s small screen adaptation of his Feluda caper in Nepal.  Granted it wasn’t Ray’s finest, but all sorts of weird and improbable stuff can be found online, why not this, I wondered.  My mind then wandered to why Ray cast Kapoor and not Amitabh Bachchan, the only tall man in India, for the role of the towering Bengali detective?  Perhaps because Bachchan was by then too busy with politics.  But that leads one to wonder why Ray hadn’t made a Hindi Feluda earlier?  For that matter, why did Ray not make more Hindi movies?

The latest on-screen adaptation puts Ray’s sleuth in the modern day — check out the trailer:

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Jammin until the break of dawn

Posted in army, books, democracy, economics, history, political economy, politics, uprisings by jrahman on December 2, 2017

What do you do during the evenings, after the day’s tasks are done, of work trips?  You might be tired of being up in the air, or just simply tired.  But depending on the jet lag, you might not find much sleep.  I certainly don’t, even when there is no jet lag — I hate hotel beds.  If you find yourself in a hotel that used to be one of Idi Amin’s torture chambers palaces, and your colleagues are fellow political junkies, you will likely talk about politics over a nightcap.  So did we that rain-soaked Kampala evening.  We talked about, among other things, Zimbabwe.

Why didn’t they get rid of him the old fashioned way, you know, APCs on the streets, tanks in front of the presidential palace, radio or TV broadcast by some unknown major…..

An old Africa hand explained why Robert Mugabe wasn’t toppled in a coup.  No, it wasn’t because of his liberation cred.  Kwame Nkrumah or Milton Obote were no less of independence heroes to their respective countries.  Both were ingloriously booted out, not just of their presidential palaces, but also the countries they led to existence.  At least they lived, unlike say Patrice Lumumba.  Clearly being a national liberator figure didn’t make one coup-proof, particularly if one had turned his (can’t think of a mother of the nation top of my head!) country into a basket case, and had faced concerted political pressure from home and abroad.  According to my colleague with years of experience in the continent, the key to Mugabe’s survival was in relative ‘latecomer’ status.

Mugabe came to power much later than was the case for other African founding fathers.  And the disastrous denouement of his rule happened during a period when the great powers saw little strategic importance in regime change in an obscure corner of the world.  The second factor meant there was no foreign sponsor to any coup.  The former meant that any would be coupmaker, and their domestic supporters, knew from the experiences elsewhere in the continent about what could happen when a game of coups went wrong.

Mugabe gave them hyperinflation.  Getting rid of him could lead to inter-ethnic war.  Easier to do currency reform than deal with refugees fleeing genocide….. 

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Mountains of the Moon – 8

Posted in adventure, books, Chander pahar, fantasy by jrahman on June 18, 2017

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A Bangladeshi superhero

Posted in adventure, Bangladesh, books, desi fiction, history, thriller by jrahman on May 11, 2017

It’s a sun-drenched, ocean-front, posh hotel where the scene is set.  A diabolical fiend is cheating on a game of cards with the aid of an earphone and a skimpily clad assistant with a binocular.

Enter our hero.

Watching the classic scene for the first time all those years ago, my thought was — whoa, 007 ripped off Masud RanaI had read Swarnamriga a few weeks before watching Goldfinger — first Rana novel and Bond flick for the schoolboy who didn’t know the original.  I suspect many Bangladeshis of certain ages would have similar Rana stories to share.

Okay, it is quite possible, likely even, that the typical reader has no idea what I am talking about.  A brief primer from wiki:

Masud Rana is a fictional character created in 1966 by writer Qazi Anwar Hussain, who featured him in over 400 novels.  Hussain created the adult spy-thriller series Masud Rana, at first modelled after James Bond, but expanded widely. …  books are published almost every month by Sheba Prokashoni, one of the most popular publishing house of Bangladesh….

Although there is no superpower as such, his attributes would make a combination of Batman, Bond, and Bourne pale before Rana. Of course, superheroes need supervillains.  Rana’s arch-nemesis is a megalomaniac genius scientist criminal mastermind named Kabir Chowdhury, who’s also a fellow Bangladeshi.  And then there is Israel.  However, it’s his foes from the first decade or so of the series that make for a fascinating political study.

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Sticking to the formula

Posted in books, classics by jrahman on January 20, 2017

William Shakespeare wrote 37 plays. Romeo and Juliet was the 28th, so one can assume that he was a quite experienced storyteller when he penned the story that ends with a pair of star-cross’d lovers taking their lives.  Just to refresh your memory: Friar Lawrence helps Juliet by providing a sleeping draught that will make everyone think she’s dead, Romeo is then supposed to come to her tomb and take her away, but messages get mixed and thinking that she is dead, he takes poison and dies just as she awakes from her drugged sleep, only to stab herself rather than to live without him.

Romeo and Juliet, the first romantic tragedy the Bard penned, was a big hit. Upon finding the successful formula of the taking of multiple lives in confusing circumstances, he ended four of his remaining nine plays in similar manner.

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Game prediction

Posted in adventure, books, Drama, movies, TV by jrahman on August 28, 2016

We are dreaming of Spring here in the antipodes, and thus it’s an appropriate time to make prediction about the Game, by which I of course mean that of Thrones.  Hopefully this is not going to be the last post on the subject.  I am going to stick to the show, not the underlying books, though everyone knows that the printed and screen forms of the story are supposed to culminate at the same end.  I am sure what I have to say has already been written with volumes of analysis, links and graphics — I’ll eschew anything like that.  I trust the interested reader to look up.  This is a self-indulgent post to see how wrong I am in two years.

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Mountains of the Moon — 7

Posted in adventure, books, Chander pahar, classics, fantasy by jrahman on August 3, 2016

Well over a decade ago, I entered a writing challenge with my brothers to scribble 10,000 words in a month.  For this, I started translating Bibhuti Bhushan Bondopadhyaya’s Chander Pahar (Mountains of the Moon) — the action adventure story of a young man from the rural heart of early 20th century Bengal who leaves his East African railway job in search of a diamond mine, and encounters man-eating lions, black mamba, volcanic eruption, Kalahari, cannibals, a mysterious apelike creature that doesn’t fear fire.

I posted the first six chapters between October 2011 and March 2013 — Shankar escapes the rural life to work in the lion territory, and the black mamba station, where he saves the life of an old man with an exciting tale, and they set off for the mountains of the moon. Time to restart the series.

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Gone Girl

Posted in books, Drama, family, gender, movies, Rights, society, thriller, thriller by jrahman on June 26, 2016

 

What are you thinking?  How are you feeling?  What have we done to each other?  What will we do?

The primal questions of any marriage — says, Nick Dunne (Ben Affleck) as David Fincher’s 2014 adaptation of Gillian Flynn’s Gone Girl begins.  Wrestling with the unravelling of own marriage, the questions came as a jolt as I watched the scene in a lonely hotel room after a long day of work.

A decade of marriage, and you realise you don’t know who your partner is.  Worse.  You don’t know who you are anymore.

What have we done to each other?  Indeed!

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On the Eaton thesis

Posted in Bengal, books, classics, history, Muslim world, South Asia by jrahman on January 13, 2016

Awrup Sanyal wants to whet your appetite about Richard Eaton’s seminal work.  Let me complement him on the effort.  I have noted Eaton in the past: a must read book on Bangladesh; and a book that has stayed with me. A full-fledged critical review of the Eaton thesis is well beyond my capability.  This post really is a complement to Mr Sanyal’s.

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