Mukti

Joy (the other) Bangla?

Posted in Bengal, comedy, Drama, history, movies by jrahman on October 11, 2017

Interesting things maybe happening in the Indian Bengal, and not just with films, though a film is a pretty good place to start.  Aparna Sen’s Goynar Baksho — a family dramedy about changing role of women in the mid-20th century bhadralok society — garners two wholehearted cheers.  Moushumi Chatterjee puts on perhaps the best performance of her career, and Konkona Sen Sharma is in her exquisite elements.  That’s two cheers, not quite a third for Srabanti Chatterjee though, who pales before the two veterans.  More importantly, the first two-thirds of the movie is astute social commentary that is simply fun to watch.  Depiction of the partition-induced transformation of a landed gentry East Bengali caste Hindu family into trade-dependent petit bourgeois is up there with the best of partition-related art.  Indian Bengalis tend to have a hard time pulling off East Bengali accent — this is a rare and pleasant exception.  For all that, however, the movie is far from being a great one because of its last third.  And yet, it’s the ending that made me think.

The story ends with this:

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