Mukti

Stranger things

Posted in Bollywood, culture, movies by jrahman on January 22, 2017

If Shakespeare was writing it today, Hamlet might well have said to his friend Horatio that there are stranger things in heaven and earth than are dreamt of in our philosophy.  Strangers in strange lands, that is how many of us feel about the world we live in.  Being a quantitative, analytical person using well established frameworks and models to make sense of the world, I can not possibly think of a stranger thing than the reality of President Trump.

No.  That’s not right.

I can think of far stranger things.  Stranger things that are far more uplifting than politics.  What is strange but that which is difficult to explain?  What is then stranger than how people fall in, after failing in and falling out of, love?

Falling in love, that’s dime a dozen, though romantic tragedies are bigger hits than happily-ever-afters.  Falling out of love, that’s rarer, definitely not quite your standard traditional Bollywood fair.  Love outside loveless marriage — that only used to happen in arty stuff starring Shabana Azmi.  Except for that Big B vehicle to extricate himself from a real life triangle, how many mainstream Bollywood pics  about extramarital affair can you think of?

Of course, traditions change.  Bollywood changed forever with Dil Chahta Hai.  And what better way to show that than through how love and marriage are treated in two Karan Johar directed Shah Rukh Khan starrers named after yesteryear hits?

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Sticking to the formula

Posted in books, classics by jrahman on January 20, 2017

William Shakespeare wrote 37 plays. Romeo and Juliet was the 28th, so one can assume that he was a quite experienced storyteller when he penned the story that ends with a pair of star-cross’d lovers taking their lives.  Just to refresh your memory: Friar Lawrence helps Juliet by providing a sleeping draught that will make everyone think she’s dead, Romeo is then supposed to come to her tomb and take her away, but messages get mixed and thinking that she is dead, he takes poison and dies just as she awakes from her drugged sleep, only to stab herself rather than to live without him.

Romeo and Juliet, the first romantic tragedy the Bard penned, was a big hit. Upon finding the successful formula of the taking of multiple lives in confusing circumstances, he ended four of his remaining nine plays in similar manner.

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