Dadagiri redux

Posted in action, adventure, Bollywood, books, classics, desi fiction, Drama, movies, thriller, TV by jrahman on May 21, 2018

When Shashi Kapoor passed away late last year, my facebook was abuzz (or should I say alight?) with clips of mere paas maa hai.  I wanted to post my favourite Kapoor as my childhood favourite hero.  I was sad to find no clip of Kissa Kathmandu ki — Satyajit Ray’s small screen adaptation of his Feluda caper in Nepal.  Granted it wasn’t Ray’s finest, but all sorts of weird and improbable stuff can be found online, why not this, I wondered.

My mind then wandered to why Ray cast Kapoor and not Amitabh Bachchan, the only tall man in India, for the role of the towering Bengali detective?  Perhaps it was because Bachchan was by then too busy with politics.  But that leads one to wonder why Ray hadn’t made a Hindi Feluda earlier?

For that matter, why did Ray not make more Hindi movies?  It’s not like he was oblivious to Bollywood trends.  He even set one of the Feluda adventures in mid-1970s Bombay, when Bachchan was smashing box office records and the bones of villains.  In the novel, Lalmohan Ganguly is advised by Feluda about the masala that would make a blockbuster:

…. instead of one double role have a pair of double roles.  The first hero is paired against the first villain, and the hero number two and the villain number two make the second pair.  That this second pair exists isn’t revealed at the beginning…..

… need smuggling — gold, iamond, cannabis, opium, whatever; need five musical sequence, one of which should be religious; need two dance numbers; two or three chase sequences are needed, and it would be great if in at least one of which an expensive car is driven off a cliff; need a scene of inferno; need heroines against the heroes and vamps against the villains; need a police officer with integrity; need flashback of the heroes’ backstories; …. need quick changes of scenes…. ; at least couple of times the story need to be on the hills or the seaside…..

…. at the end — and this is a must — need happy ending.  But the ending would work best if it can be preceded by several tearjerkers.

Of course, this is tongue-in-cheek.  Ray wasn’t into making blockbusters.  And he explained in a number of places that he was most comfortable in his mother tongue.  But Ray was so in tune with the zeitgeist that even Enter the Dragon is channeled in that story, and I can’t help but wish he would have made the movie that would have been rishte mein toh baap to Sholay, Don, Qurbani, Tridev or Mohra.


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The Force…

Posted in movies, sci-fi by jrahman on June 10, 2015

… is upon Rahman pere et fils.


We’ve watched all six episodes — starting with A New Hope, followed by The Empire Strikes Back, then the prequel trilogy, to finish with Return of the Jedi.  Then we started afresh with the first two prequels.  Now going through The Clone Wars — we will not watch Revenge of the Sith until the animated series has run its course.

That’s, of course, on TV.  On the iPad, between the homework, dinner and bedtime reading, endless loops of I am your father or you are the chosen one or goood, not to mention the lego or angry bird versions of the saga or eleventy million fan videos — that’s a different story altogether.

He has the lines from this memorised:

At this rate, I think the kid will have his first brush with disappointment because, let’s face it, sky high expectations are usually unmet.

Was it the unrealistic expectation that caused our disappointment with the prequel trilogy?  After thorough research (see the first para), I am convinced that the prequels are bad in their own right.  In fact, I can do better.  I think I have a good idea of what went wrong with those movies.  As long as these mistakes are avoided, I think I’ll be satisfied with the new one.


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